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Sri Pada Saptati
Sri Pada Saptati
By Melpathur Narayana Bhattathiri
Translation and Commentary by P.R. Kannan
SRIMUKHAM
By Jagadguru Sankaracharya Swamiji of Kanchi Kamakoti Matham,
Kanchipuram
Date: 5.9.2003
Within the sacred land of Bharat, in the part of Kerala, even more sanctified by
the incarnation of Adi Sankara Bhagavatpada, the celebrated poet, Sri Narayana
Bhattatri sang in detail all the beautiful sport of Lord Krishna, right from His
childhood. Sri Guruvayurappan nodded His head every time in appreciation. The
book written by Sri Narayana Bhattadri is widely acclaimed as Sri Narayaneeyam.
Sri Narayana Bhattatri has enjoyed and sung in 70 verses the glories of the
Lotus Feet of the Divine Mother, Para Sakthi in his book, Sri Pada Saptati.
Kannan, the resident of New Mumbai, translated this work in Tamil, based on the
'Malika' commentary of Muriyil Narayanan Nambisan and his book was published
earlier by Sri Bhagavannama Publications.
Kannan has now written a detailed explanation of Sri Pada Saptati in English at
the request of friends. His explanation of each verse with supporting quotations
from works like Soundaryalahari, Mooka Panchasati, Devi Bhagavatam, Durga
Saptasati etc. is praiseworthy. We bless that all the people, with the help of
this book, should worship the Divine Feet of Mother, receive auspicious
benedictions and live happily and prosperously. We also bless the commentator
that he should continue to write many more explanatory works, thus serving the
public and attain all happiness and bliss.
Narayana Smriti
SRI PADA SAPTATI
Sri Melpattur Narayana Bhattatri is the celebrated author of Narayaneeyam, a
devotional poem of about 1000 verses in soulful praise of Lord Krishna, the god
of Guruvayur in Kerala. This epic poem epitomises the essence of Srimad
Bhagavatham and it is believed that Krishna nodded his head in appreciation at
the end of each chapter and also gave him special Darshan on important
occasions. Bhattatri found at the end that he was cured of his ailment in foot,
which had tormented him for long. He however longed for peace of mind and Bliss
that still eluded him. Tradition has it that the lord of Guruvayur appeared in
his dream and directed him to a place called Mukthisthala (near Guruvayur) and
to worship Devi Durga. Bhattatri, upon Darshan of the Goddess, burst out in 70
moving verses in praise of Devi's Holy Feet, entitled SRIPADA SAPTATI. It is
said that he was blessed with beatitude and spent his last days at Her Feet and
attained liberation.
In SRIPADA SAPTATI, Sri Narayana Bhattatri takes the reader to great heights of
Sanskrit poetry and devotion. His description of Devi's bounty of Grace is
exquisite and elevating. The versatile scholar of Sanskrit grammar that he was,
no figure of speech or embellishment misses him. He dwells with a lot of imagery
on the incomparable beauty of the Holy Feet, the divine child-sport of Parvati
in the Himalayas, Her marriage with Siva, their love and feigned anger,
destruction of Mahishasura and Sumbha, worship of Brahma, Vishnu, Siva, Indra
and the other Dikpalakas at Devi's Feet and, above all, Devi's benevolence to
Her devotees. The tradition of worshipping the Feet (Pada Puja) of divinities
and Gurus has been very strong in our Sanatana Dharma. It is believed that the
Sripadas are ever full of mercy, compassion and munificence and bless the
devotee without weighing his qualifications as Devi would. A free translation in
English of the verses with explanation is now presented.
DHYANA SLOKA:
Dakshadha: karapallave lasadasim dakshordhwage sulinim
Vamordhwe phalakojvalam katitata-nyastanya hastambujam |
Sulagrahata kasarasura-sironishtham prahrushtam surair-
Jushtam-ishta-varapradam Bhagavatim Muktisthalastham bhaje ||
I worship Bhagavathi, residing in Mukthisthala; who possesses a shining sword in
Her lower right hand, resembling a tender creeper; the trident in the upper
right hand; a brilliant shield in the upper left hand; the other left hand,
which is (like) lotus, poised on the waist; directing the end of the trident on
the broken head of Mahishasura; worshipped by Devas; the giver of desired boons.
Sri Narayana Bhattatri brings out in this initial verse the graphic description
of the image of Bhagavathi Durga at Mukthisthala for the reader to fix his mind.
Here he adds two important points: one, She is worshipped by Devas. The powerful
Devas, vanquished at the hands of the demon Mahishasura, propitiated Devi and
begged Her to eliminate their mortal enemy. Devi fulfilled their wish and Devas
fell at Her Feet and praised Her Grace. The second point is that Devi is ever
eager to grant the wishes of any devotee, who surrenders to Her. It is not just
Devas, who are the recipients of Her unlimited bounty, but anyone who submits to
Her for help.
1.
Yat samvahana-lobhina: Sasikala-chudasya hastambuja-
Sparsenapi cha lohitayati muhus-tvatpada-pankeruham |
Tenaivodhara-kasarasura-sira-sringagra-sanchurnana-
Prachandyam tadanushthitam kilam katham Muktisthalasthe Sive ||
Mangalambike (Auspicious one), residing at Mukthisthalam! Greatly desirous of
lifting your Lotus Foot with His Lotus Hand, Sri Parameswara, whose head is
adorned by the Kala of the moon, touches your Sripada, which instantly turns
reddish. With the same (tender) foot, You fiercely pulverised the head of
Mahishasura, whose body was bigger than a mountain. How was it possible?
The reference is to Durga, who resides at a place in Kerala called Mukthisthalam
(now known as Mukkolakka), where the poet Sri Narayana Bhattadri prayed in his
last days and attained Mukthi, i. e. liberation. Mukthisthalam also symbolises
the cleansed hearts of great Yogis, ripe for Mukthi. Further it also refers to
the fact that Mukthi results on removal of Avidya (or Maya) and attainment of
Vidya. Devi is the embodiment of Vidya and hence the only source of Mukthi.
The simultaneous expression of the opposite qualities of tenderness and hardness
of Devi's Lotus feet is beautifully brought out by the poet devotee. This is
indicative of Devi's Grace, which at once protects the good and Her fierceness
which destroys the evil.
In Durga Sapthasathi, we find in the Devas' prayer to Devi after the killing of
Mahishasura, a similar expression:
Ya Sri: svayam sukritinam bhavaneshv-Alakshmi:
Papatmanam …………… (4:5)
Devi, who resides as Lakshmi Herself in the homes of the good, becomes Alakshmi
in the homes of the wicked.
2.
Tvat-padam nijamastake ghatayitum loke na ke ke jana:
Kim kim narachayanti duschara-tapascharya-saparyadikam |
Manye dhanyatamam tu Devi Mahisham vairasthayaiva tvaya
Yanmurdhni svayameva patakaharam padambujam patitam ||
Devi! For resting your Sri Pada on their heads, people of all sorts (including
Devas, Yakshas, Gandharvas etc.) in the three worlds resort to extremely
difficult austerities, poojas etc. However, Mahishasura, I think, was the most
fortunate. Though he harboured enmity towards You, Your lotus Sripada, which
destroys all sins, was kept on his head, on your own.
Durga Sapthasathi says:
Chitre kripa samara nishthurata cha drushta
Tvayyeva Devi varade bhuvana-trayepi | (4:22)
Oh! Giver of Boons! In the three worlds, it is only in You, that we find Mercy
(in the mind) while, (at the same time) showing ruthlessness in battle.
3.
Tvat-padambujam-arpitam kva nu Sive kim nu trayi-mastake
Nityam tatva-vichara-datta-manasam chitrambujagreshu va |
Kim va tvat-pranaya-prakopa-vinaman-Marari-moulisthale
Kim protkhanditha ghora-sairibha-mahadaityendra-murdhantare ||
Mangalambike (Auspicious one)! Where are your lotus feet? Are they in the
pinnacle of the (three) Vedas? Or are they in the lotus hearts of the Yogis,
whose thoughts are always immersed in the Ultimate Truth? Or are they on the
head of Siva, the enemy of Manmatha, when He prostrates in order to pacify You
after a quarrel (of love)? Or on the decapitated head of the terrible
Mahishasura?
The pinnacle of the Vedas is regarded as the Upanishads or the Omkara.
In Soundaryalahari, Sankaracharya says:
Srutinam murdhano dadhati tava you sekarataya
mamapyetou Matha: sirasi dayaya dehi charanou | (84)
Mother! Please rest your feet on my head out of compassion, the Feet, whom the
Upanishads, the pinnacle of Vedas, have as their crest-jewel.
4.
Tvat-padanchala-rupa-kalpalatika-bala-pravala-dvayam
Ye tavat kalayanti jatu sirasa namrena kamrojjvalam |
Teshameva hi Devi nandanavana-kridasu labhyam padam
Svarli-taruna-pravala-bharanam sevnurupam phalam ||
Devi! The front of your Sripada is beautiful and lustrous. It resembles the
tender creeper of the Kalpaka tree (of Heaven). Those who prostrate at your feet
happen to play in the beautiful gardens of heaven and pick up the tender shoots
of the Kalpaka tree there. The fruit is in accordance with the service.
Those who wish for the pleasures of heaven go to heaven. Those who pray for
liberation are blessed with Moksha. This is the Mercy of Sripada.
Durga Sapthasathi concludes with the narration of how Suratha, the king, prayed
to Devi for uninterrupted kingship in his next birth and how Samadhi, the Vaisya,
prayed for Gnanam, free from the sense of I and Mine. Devi granted the king not
only his wishes but made him the next Manu named Savarni. The Vaisya was blessed
with the Supreme Knowledge.
Savarniko nama Manur-bhavan bhuvi bhavishyati | (13:23)
Tam prayachchami samsidhyai tava gnanam bhavishyati | (13:25)
5.
Dhavalyam parilalyate Puraripor-angena tungasriya
Kincha syamalimapi komalatare bhatyeva gatre Hare: |
Tattadruk-padaveem mamapi janayed-astoka-sevarasat
Arunyam tava liyate charanayo: karunyamurthe Sive ||
Embodiment of Compassion! Auspicious One! The white colour shines with the
splendour of the body of Siva. The black colour similarly shines with the tender
beauty of the body of Vishnu. The red colour serves so well at your Feet with
enthusiasm with prayer for a similar status and then merges at your feet.
The idea is that the red colour has been serving your Feet in the form of
beautiful coatings and finally becomes one with the Feet themselves. Devi's body
and Feet are red coloured. Red colour, thus, excels the other two colours -
white and black.
Another interpretation could be that since I, the devotee, am holding your
Sripada tightly the natural red colour of your Feet disappears i.e. merges,
knowing that you are going to grant me the status of Siva or Vishnu.
Devi Bhagavatham narrates the story of an unlettered Brahmin, Satyavratha, by
name, who always spoke the truth. Unknowingly, he happened to utter Devi's
mystic syllable, Beejakshara Aim on an occasion. Devi made him an unparalleled
scholar and poet like Valmiki. Such is Her Grace.
Bijochcharanato Devya vidya prasphutitha-akhila
Valmeekascha yatha purvam tatha sa hyabhavat-kavi: | (3:11:39)
6.
Arunyam tadidam tvadiya-padayor-abhathi tat kechana
Prahus-tunga-nithamba-bharabharana-klantya kilopagatham |
Anye mahishamurdha-peshamilitham rakthadravam manvathe
Manyeham tu natheshu sandram-anurag-odgaramevanayo: ||
Sankari! How does this red colour shine so well in Your Feet? Some say that it
is due to the Sripada's difficulty in bearing the heavy weight of your hips.
Some others say that when you set your Feet on Mahishasura, his blood stuck on.
However, I consider that the red colour is the outpouring of the great love that
your Feet have for the devotees who prostrate.
Bhaattatri poetically rejects mundane explanations for the deep red colour of
Devi's Feet. He asserts that just as the Chandrakantha stone starts melting at
contact with the rays of the moon, Devi's Feet start overflowing with affection
on contact with Her devotees.
Sankaracharya says in Soundaryalahari:
Bhayat tratum datum phalamapi cha vanchasamadhikam
Saranye lokanam tava hi charanaveva nipunou | (4)
Refuge of the Worlds! Your Feet alone are experts in protecting your devotees
from fear and granting them fruit greater than desired.
7.
Prahu: Padmasamasrayam sathadhrutim tvatpadapadmasrayat
Anthastvatpada-padmavikshanavasat Krishnopi padmekshana: |
Yatpadmarchanam-amananthi sudhiyo daridrya-vidravanam
Muktikshetragathe Bhavani tadapi tvatpada-sammarchanam ||
Bhavani (Devi of Bhava i.e. Siva) residing in Mukthikshetra! The wise call
Brahma as 'Padmasraya' i.e. having taken refuge in lotus as He is a devotee of
your lotus feet (and not because He is seated on a lotus). Krishna is called 'Padmekshana'
i.e. having eyes of lotus, as he is constantly looking with his inner eyes at
your lotus Feet ( and not because His eyes look like lotus petal). Worship of
Devi for driving away poverty is regarded by the wise as Padmarchanam i.e.
praise of Padma as it is indeed worship of your lotus Feet (and not worship of
Padma, i.e. Goddess Lakshmi).
Brahma, Vishnu, Lakshmi and all the Gods, who are possessed of powers to bless
people, derive this power from their worship of Devi's Feet alone. Sri Narayana
Bhattatri again poetically rejects the commonly understood meanings of words and
bestows special meaning, linking them to the great powers of Devi's lotus Feet.
In the very first verse of Soundaryalahari, Sankaracharya says:
Tvam aradhyam Harihara Virinchadibhirapi | (1)
You, whom, even Vishnu, Siva and Brahma worship.
It is also interesting to note that through the medium of the three Gods, the
three main acclaimed paths of reaching Devi are indicated namely Refuge (Bhakthi),
having darshan in mind (Gnanam), Archana (Karma). All these paths lead to the
Grace of Sripada.
8.
Padam te sarasiruha-druhamimam yat sevathe Padmabhu:
Nunam tat svanivasa-pankajavara-srilanghanasankaya |
Govindopi cha varirasi-duhitur-vasabja-badhabhiya
Svasyaivagra-karodgruhita-kamala-tranabhilashena va ||
Devi! Brahma, born out of lotus, worships your Feet which are hostile to (i.e.surpass)
the lotus flower. Is it due to His apprehension that the splendour of His own
lotus seat will be outshone? Does Govinda worship your Sripada because of His
fear that the lotus seat of Lakshmi, the daughter of the Ocean, will lose its
sheen? Or is it for protecting the beauty of the lotus flower He is holding in
His right hand?
Though Devi's Sripadas are capable of hurting the glory of the three above
mentioned famed lotuses, they, out of mercy for the devotee, not only refrain
from doing so; but bless them with greater brilliance.
Further, it is clear that Devi blesses even those who approach her only for
preserving their possessions or for release from worldly difficulties. Lord
Krishna calls such people as Aartha (sufferers) in Gita and commends them along
with the other devotees including jignasu (one with thirst for knowledge),
arthaarthi (one who wishes for possession) and gnani (man of knowledge). (7:16)
9.
Sevanthe kulasampade nakhamaya: sitamsavas-tvatpadam
Tatpako nanu vikshyate hi nitara-manyeshu sitamsushu |
Eko balaka eva moulimayi te yato lalatamatam
Anyo nirmala-ganda-mandaladasa-manyou tu dhanyou gatou ||
Mother! The fingernails of your Sripada are indeed moons and they worship at
your Feet for (being blessed for) the glory of their lineage. The fruit of such
worship is distinctly seen in the other moons; one child moon decorates Your
head; Another moon became Your forehead. Two other fortunate moons became Your
ever pure cheeks.
Devi, out of benign compassion for the worshipper, blesses the entire family of
his ancestors and descendants. Even a young child of a moon, She put on Her head
as an ornament. Such is Her benevolence.
Soundaryalahari says:
Lalatam lavanya dyuti vimala-mabhati tava yat
Dvitiyam tanmanye makutaghatitham chandrasakalam | (46)
Your shining, ever pure, beautiful forehead-moon appears to be complementary to
the crescent, which decorates your head like a crown.
Lalithasahasranamam also says:
Ashtami-chandra vibhraja dalikasthala sobhitha | (5)
Your forehead shines as if it were the moon of the 8th day.
10.
Ghoram pada-sahasrakam prakatayan-nasasu bhasam pathi:
Dhwantham no punarantaram samayithum saknothi Sailatmaje |
Tvatpada-dvithayena komalatarenanena chetha: sprusa
Janthunam bahirantha-randhatamasam krunthas-yanantham Sive ||
Himavan's daughter! The brilliant sun, who spreads his powerful shining rays in
thousands in different directions is still unable to remove the internal
darkness (ignorance- Avidya) of beings. But with Your very soft (lotus) Feet
touching the very base of the mind, you root out the terrible external and
internal darkness present in beings.
The external darkness in beings is the tendency to associate the self with the
body, mind and intellect, to see the things of the world as other than one's own
self and in turn develop attachment to them. The internal darkness is the
inability to see Devi's feet as the Self, as the source of all light, knowledge,
action and enjoyment. By praying at Devi's Feet the devotee is blessed with
Gnana, the Ultimate Knowledge.
In Soundaryalahari, Sankaracharya says:
Avidyanam anthastimira mihira-dwipanagari
Jadanam chaitanya-sthabaka makaranda sruthijhari | (3)
Devi! The dust of Your Sripada is like the rising Sun's city, which drives away
the dense, dark inner space of Avidya of the devotees. For the ignorant, it is
like the pollen which spreads from the flowers of the Kalpaka tree i.e. Gnana.
11.
Sury-endv-agni-sameeranadi sakala-svarvasina-munmada:
Sarvanyeva padani yo mathithavan durvara-souryoshmana |
Tam ghoram mahishasuram nija-padena-ikena sammrudnati
Yatvam pratyakrutas-thatha: kimaparam tvad-vaibhavam brumahe ||
Devi, Mahishasura drove away Surya, Agni, Vayu and all other Devas inhabiting
the Swargaloka from their positions by the power of his unbeaten valour. You
vanquished such a terrible Asura by using only one Foot of yours and thus
avenged his misdeed. More than this, which other glory should we talk about?
The term 'Pada' of Devas means not only their position but also their place,
their enjoyments like Kalpaka tree etc and even the cosmic order. All these were
taken away and changed beyond recognition by Mahishasura. This verse brings out
Devi's eagerness in swiftly getting rid of the enemies of the devotees, the
Devas as well as the ease with which She, being omnipotent, carries this out.
In Durga Sapthasathi, Devas in praise of Devi, after the killing of the demon
Mahishasura say:
Kenopama bhavatu thesya parakramasya | (4:22)
What can stand comparison with your valour?
12.
Ekam vamatayeiva dakshinatayeiv-anyat padam dehinam
Khyatam Muktipuradhivasini Sive chitram tvayi tvidrusam |
Anamreshu janesh-vabhishta-karane padavubhou dakshina-
vanamre tu kritagasi smarahare Vamakshi vamavubhou ||
Dweller of Mukthipura! Auspicious one! It is well known that everyone has two
feet, one right (Dakshina) and the other left (Vama), but in your case it is
peculiar.
Beautiful eyed one! When devotees prostrate, both Your Feet become Dakshina,
i.e. munificent in fulfilling their desires. But when Siva, the Destroyer of
Manmatha, prostrates in order to atone for some feigned offence (of love), both
your feet become Vama, i.e. crooked, unwilling to grant His desire.
The poet brings out the abundance of Devi's Grace to Her devotees through
beautiful pun in words, vama and dakshina.
In Mookapanchasathi, Mookakavi says:
Asulabha-pradanat dinanam amarataru dourbhagya-jananim | (2:60)
Devi's Feet grant the poor devotees things beyond their imagination and thus
defame the heavenly Kalpaka tree.
13.
Anamrasya Puradruha: sirasi the padabjapatha: Sive
Jiyadyena babhuva pankajavathi mouli-sravanthi kshanam |
Kinchodanchita-balapallavavathi jatha jatavallari
Lakshapada-vasena sandhya-sushama-sandra cha chandri kala ||
Devi! When Siva, the annihilator of Tripuras, prostrates at your Feet (due to
feigned mistake committed by Him in love), Your Feet hit His head. Long live
this sight! The river Ganga in the head of Siva came to be decorated with (red)
lotus for a second. The matted locks in His head (which are generally dry) shone
with tender sprouts (the fingers of your lotus feet). The crescent moon shone
with greater lustre than at dusk against the background of the red lac (of your
Feet).
Devi's divine sport is ever beautiful.
Mookapanchasathi says:
Yayo: sandhyam rochi: satatam arunimne spruhayate
Yayos-chandri kanthi: paripathathi drushtva nakha-ruchim | (2:23)
The evening red light always longs for the shine of your red Feet. The lustre of
the moon drops away on seeing the splendour of the nails in your Feet.
14.
Drushtva ratrishu chandrapada-janitham pathoruhanam vyatham
Devi tvam karun-akuleva kurushe tadvaira-niryathanam |
Mananamra-Mahesa-moulivalabhi-vasasya sitatvisho
Nityam pankajapada-ghata-janitha badha yad-adhiyate ||
Devi! During the nights, the lotus flowers suffer due to the rays of the moon.
Out of compassion for lotus, you take revenge on the moon when Siva prostrates
(in order to pacify you after a loving quarrel). The moon, which lives in the
head of Siva, is made to suffer by the attack of the lotus Feet of yours.
Mookakavi enjoys the grandeur of Devi's feet in Mookapanchasathi:
Tava trastham padat kisalayam aranyantaram agat
Param rekharupam kamalam amumev-asritham abhut |
Jithanam Kamakshi dvitayamapi yuktham paribhave
Videse vasova saranagamanam va nijaripo: (2:85) ||
Kamakshi! The tender sprout (of plants), afraid of your Feet, went away to the
forest; lotus flower took refuge in your Feet in the form of Rekha (lines). When
the defeated persons feel ashamed, it is but proper that they go out of the
country or take refuge with their own enemy.
15.
Sambhrantis-tava Devi sa vijayathe mana-vanamre Sive
Tvat-padamburuha-prahara-mudithe mandam samuththayini |
Laksharaga-rasarunam nipathitham gangapayas-seekaram
Drushtva sonitha-sankaya taralitha kantham yad-alambatha: ||
When Siva prostrates and then slowly gets up, being pleased with the aggression
of Your lotus Feet, You notice droplets of the water of Ganga, dropping from His
head, red-coloured due to contact with the red lac of your Feet. Confusing these
droplets as blood drops, You embrace Your beloved (as an act of apology for over
reaction). Long live that confusion.
Devi's anger towards Her devotees does not last long. She is ever full of mercy
and compassion, ever ready to forgive man's sins. She only waits for man to lay
aside his ego and take refuge at Her Feet.
Sankaracharya says in Devyaparadha Kshamapana Stotram:
Jagadamba vichitram-atra kim paripurna karunasthi chen-mayi
Aparadha-parampar-avrutham na hi Mata samupekshate sutam | (11)
Mother of the worlds! If Your full Grace is on me, what is strange about it?
Even if the son has committed series of mistakes, the mother does not neglect
him.
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- Mantra Pushpam
- Medha Suktam
- Nila Suktam
- Pavamana Suktam
- Purusha Suktam
- Rudram
- Saraswathi Suktam
- Sri Suktam
- Vaak Suktam
- II
- Adi Sankara Books
- Ananda Lahari
- Anathma Vigarhana Prakaranam
- Aparoksanubhuti
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- Atma Bodha
- Atma Panchakam
- Bhaja Govindam
- Brahma Jnanavali Mala
- Dakshinamuthy Ashtakam
- Dasa Sloki or Nirvana Dasakam
- Dhanyashtakam
- Kanaka Dhara Stotra
- Kaupeena Panchakam
- Manisha Panchakam
- Maya Panchakam
- Nirguna Manasa Puja
- Nirvana Manjari
- Nirvana-Shatkam
- Nirvana Shatkam
- Panchikaranam
- Prashnottara Ratna Malika
- Prata Smarana Stotram
- Sadhana Panchakam
- Sata Sloki
- Shiva Manasa Puja
- Shivananda Lahari
- Siddhanta Tattva Vindu
- Soundarya Lahari
- Svarupanusandhanashtakam
- Tattva Bodha
- Upadesa Sahasri
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- Vakya Vritti
- Vijnana Nauka
- Vivekachudamani
- Spiritual Books - Other
- Stotras - Prayer Hymns
- Devi
- Aadhya Stotram
- Aananda Valli Stotram
- Abhirami Ammai Pathikam - 1
- Abhirami Ammai Pathikam - 2
- Abhirami Ammai Pathikam - 3
- Abhirami Anthadi
- Abhirami Stotram
- Akhilandeswari Pushpa Mala
- Amba Ashtakam
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- Ambikai Thuthi
- Ambikaye Lalithamba
- Annapurna Ashtakam
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- Arya Navakam
- Ashta Lakshmi Stotram
- Balambika Dasakam
- Bala Mukthavali Stotram
- Bala Satha Nama Stotra
- Bala Tripura Sundari Pancha Rathnam
- Bhaja Gaureesam
- Bhagawathi Ashtakam
- Bhagawathi Stotram
- Bhavani Ashtakam
- Bhavani Bhujangam
- Bhavani Kavacham
- Bhuvaneswari Kavacham
- Brahmanda Durga Kavacham
- Dakshina Lakshmi Stotram
- Dhana Lakshmi Stotram
- Deva Krutha Lakshmi Stotram
- Devi Bhujangam
- Devi Kavacham
- Devi Kshama Stotram
- Devi Mahatmyam
- Devi Paatam
- Devi Stotram
- Devyaa Aarathrikam
- Durga Aarti
- Durga Ashtakam
- Durga Chalisa
- Durga Dhakara Dwathrimsa Nama Mala
- Durga Kavacham [Vamsa]
- Durga Kavacham
- Durga Pancha Rathnam
- Durga Saptha Sloki
- Durga Stotram
- Durga Chandra Kala Stuti
- Durga Stuti [Hindi]
- Garbha Rakshambika Stotram
- Gauri Dasakam
- Indrakshi Stotram
- Janaki Panchakam
- Jaya Madhurashtakam
- Jnana Prasoonambika
- Kaalika Ashtakam
- Kalika Ashtakam
- Kalika Kavacham
- Kalpa Shaki Stavam
- Kalyana Vrushti Stavam
- Kamakshi Dukha Nivarini Asthakam
- Kamakshi Stotram
- Kamakshi Suprabatham
- Kamala Patyashtakam
- Kamalambika Ashtakam
- Kameshwari Sthuthi
- Karumari Amman Stotram
- Kirata Varahi Stothra
- Lakshmi Aarthi
- Lakshmi Ashtothara Satham
- Lakshmi Sahasra Nama Stotram
- Lakshmi Stotra [Indra]
- Lalithambal Shobanam
- Lalitha Nava Rathna Malai
- Lalita Pancha Ratnam
- Lalita Sahasra Namam
- Lalita Sahasra Nama Phala Sruthi
- Lalita Sthava Raja
- Lalita Trishati
- Maa Maha Kali Aarti
- Maangaadu Kamakshi Paadalgal - 1
- Maangaadu Kamakshi Paadalgal - 2
- Maha Lakshmi Ashtakam
- Maha Lakshmi Hrudaya Stotram
- Maha Lakshmi Ji Ki Aarthi
- Maha Lakshmi Kavacham
- Maha Lakshmi Kavacham [2]
- Maha Lakshmi Sthavam
- Maha Lakshmi Stotram
- Maha Lakshmi Stotram [2]
- Maha Lakshmiki Aarathi
- Maha Vidhya Kavacham
- Mahishasura Mardini Stotra
- Mahishasura Mardini Stotra [2]
- Malar Padal Storam
- Mangala Chandika Stotram
- Mantra Pushpa Mala
- Mariamman Thalattu
- Meenakshi Mani Mala Ashtakam
- Meenakshi Pancha Ratnam
- Meenakshi Stotram
- Mere Man Ke Andha Thamas Mein
- Mookambika Ashtakam
- Mookambika Stotra
- Mooka Pancha Sati - Arya Satakam
- Narayani Sthuthi
- Nava Durga Raksha Mantra
- Nava Durga Sthuthi
- Nava Mangali Stotra
- Nava Rathna Mala Stotram
- Neela Saraswathi Stotram
- Neelayadakshi Suprabatham
- Rahasya Thrayam - 1
- Rahasya Thrayam - 2
- Rahasya Thrayam - 3
- Raja Rajeswari Stavam
- Sakala Kalaa Valli Maalai
- Sankata Devi Namashtakam
- Sakradhi Sthuthi
- Santhoshi Mata Aarthi
- Saraswati Aarthi
- Saraswati Ashtaka
- Saraswati Ashtakam
- Saraswati Bhujanga Prayata Stotra
- Saraswati Chalisa
- Saraswati Ji Ki Aarthi
- Saraswati Kavacham
- Saraswati Matha Ki Aarthi
- Saraswati Stotram - Agasthya
- Shakthi Mahimnah Stotram
- Shakti Peetha Stotram
- Sharada Bhujanga Prayathashtaka
- Sharada Stotra
- Sharada Stotram
- Sashti Devi Stotram
- Shivakama Sundari Ashtakam
- Shriya Shatkam
- Shyamala Dandakam
- Siddha Kunjika Stotram
- Siddha Lakshmi Stotram
- Siddhi Lakshmi Sthuthi
- Sitala Ashtakam
- Sree Stotram
- Sri Pada Saptati
- Sri Pada Sapthathi
- Swarna Mala Sthuthi
- Swayamvara Parvathi Stotram
- Tara Ashtakam
- Thulasi Stotram
- Tripura Sundari Aparadha Kshama
- Tripura Sundari Ashtakam
- Tripura Sundari Pratha Smaranam
- Tripura Sundari Sannidhya Sthava
- Tripura Sundari Sthava
- Tripura Sundari Suprabatham
- Tripura Sundari Veda Sara Sthavam
- Tripura Thilakam
- Vaageswari Stavam
- Vaani Stotram
- Varahi Anugrahashtakam
- Varahi Nigrahashtakam
- Vijaya Lakshmi Stotram
- Vipareeth Pratyangira Stotra
- Vishnu Maya Sthuthi
- Yudhishtra Krutham Durga Stotram
- Shiva
- Aparadha Ashtakam
- Ardhanariswara Ashtaka
- Attala Sundarashtakam
- Bhairava Ashtakam
- Bilwa Ashtothara Satha Stotram
- Bilwashtakam
- Chandrasekharashtakam
- Chidambharashtakam
- Chidambareswara Stotram
- Daridraya Dahana Stotram
- Gowreesa Ashtakam
- Jambunathashtakam
- Jyotir Linga Stotram
- Kaala Samhara Murthi Pathigam
- Kala Bhairava Ashtakam
- Kala Bhairava Pancha Rathnam
- Kirtha Ashtakam
- Kolaru Thirupathigam
- Lingashtakam
- Maha Mrithyunjaya Kavacham
- Maha Mrityunjaya Stotram
- Margabandhu Stotram
- Marga Sahaya Linga Sthuthi
- Mrita Sanjeevana Kavacham
- Nataraja Pathu
- Nathopadesa Storam
- Parameshwara Stotra
- Parvathi Vallabha Ashtakam
- Pasupathyashtakam
- Pottri Thiru Agaval
- Pradosha Mahatmyam
- Pratha Smarana Shiva Stotram
- Rudhra Ashtakam
- Rudra Kavacham
- Sadasivashtakam
- Sankarashtakam
- Sarva Vyadhi Haram Maheswara Kavacham
- Sasakti Shiva Navakam
- Shiva Aarthi
- Shiva Ashtakam
- Shiva-Ashtakam
- Shivashtakam
- Shiva Ashtothra Sata Namavali
- Shiva Bhujanga Stotram
- Shiva Chalisa
- Shiva Dwadasa Nama Smaranam
- Shiva Jaya Jaya Dhyana Stotram
- Shiva Kavacham
- Shiva Mahimnah Stotram
- Shiva Manasa Pooja
- Shiva Mangalam
- Shiva Mangalashtakam
- Shiva Nama Malyashtakam
- Shiva Panchakshara
- Shiva Panchanana Stotram
- Shiva Paradha
- Shiva Raksha Stotram
- Shiva Rama Ashtaka Stotram
- Shiva Sadakshara Stotra
- Shiva Sadakshara Stotram
- Shiva Sahasra Namam
- Shiva Samhita
- Shiva Shivaa Sthuthi
- Shiva Stotram
- Shiva Stotram - Agasthya Krutha
- Shiva Stotram - Asitha Krutha
- Shiva Thandava Stotram
- Thirumantiram
- Thiruppalliyezhuchi
- Thiruvasagam
- Thiruvempavai
- Thyagaraja Ashtakam
- Uma Maheswara Stotra
- Vaidyanatha Ashtakam
- Vaidyanatha Namaskaram
- Veda Sara Shiva Sthavam
- Viswanatha Ashtakam
- Viswanatha Suprabathashtakam
- Vishnu
- Aadhi Narayana Sthuthi
- Abilashashtakam
- Achyuthashtakam
- Adaikala Pathu
- Ahobilam Nrisimha Stotram
- Ambadi Paithal
- Anjana Sridhara
- Apamarjana Kavacham
- Apamarjana Stotram
- Ashta Vimsathi Stotram
- Athma Nivasi Rama
- Bala Mukundashtakam
- Bhagawan Manasa Pooja
- Bhagawatha Vandanam
- Bheeshma Sthuthi
- Brahma Krutha Rama Sthuthi
- Brahma Sthuthi
- Chathur Vyooha Sthuthi
- Dadhi Vamana Stotram
- Dasavathara Bhujanga Sthavam
- Dasavatara Stotra [Desika]
- Dasavatara Stotra [Jayadeva]
- Dasavatara Stotram
- Dasavathara Stotram
- Dasavatara [Malayalam]
- Datta Kshmamapana Stotra
- Datta Kshamapana Stotram
- Datta Sharana Ashtakam
- Datta Sthavam
- Dattatreya Kavacham
- Dattatreya Stotram
- Devaki Garbha Sthuthi
- Devaki Sthuthi
- Dheena Bandhu Ashtakam
- Dhruva Sthuthi
- Dwadasa Nama Panjara Stotram
- Dwadasakshara Mantra Stotram
- Gajendra Moksham
- Gayathri Ramayana
- Gopala Akshaya Kavacham
- Gopala Ashtakam
- Gopala Kavacham
- Gopala Stotram
- Gopala Vimsathi
- Gopika Geetham
- Govinda Ashtakam [1]
- Govinda Ashtakam [2]
- Govinda Damodara Stotra
- Govindam Aadhi Purusham Bhajam
- Guru Marutpuradeesam
- Guruvayupuresa Bhujanga Stotra
- Guruvayupuresa Mangalam
- Guruvayupuresa Sthavam
- Guruvayupuresa Suprabatam
- Guruvayurappan Prayer
- Guruvayurappan Prayer [Tamil]
- Guruvayurappan Stotras
- Hari Ashtakam
- Hari Hari Stotram [Tamil]
- Hari Keerthanam [Malayalam]
- Hari Nama Keerthanam
- Hari Nama Mala Stotram
- Hari Namashtakam
- Hari Narayana Keerthanam
- Hari Sarana Sapthakam
- Hari Stotram
- Indra Krutha Krishna Stotram
- Indra Sthuthi
- Kaivalya Ashtakam
- Kamasika Ashtakam
- Krishna Ashtakam [1]
- Krishna Ashtakam [2]
- Krishna Ashtakam [3]
- Krishna Dwadasa Nama Stotram
- Krishna Karnamrutham
- Krishna Keerthanam
- Krishna Manasa Puja
- Krishna Mangalam
- Krishna Padambuja Stotram
- Krishna Sthava Raja
- Krishna Stotram
- Kunja Viharayashtakam
- Kunthi Sthuthi
- Kurma Stotram
- Lakshmi Narayana Hrudayam
- Lakshmi Narayana Kavacham
- Lakshmi Narayana Stotram
- Lakshmi Nrusimha Hrudaya Stotra
- Lakshmi Nrusimha Stotra
- Loka Rakshanam
- Madhava Sthuti
- Madhurashtakam
- Mangala Geetham
- Mangalya Sthavam
- Matsya Stotram
- Muchukunda Sthuthi
- Mohini Rachitha Krishna Stotram
- Mukthaka Mangalam
- Mukunda Mala
- Mukunda Mukthavali
- Nama Ramayana
- Nama Rasam
- Namam Japikkuga
- Nandakumarshtakam
- Narasimha Dwadasa Nama Stotram
- Narasimha Kavacham
- Narasimha Mangalam
- Narasimha Nakha Sthuthi
- Narasimha Panchamrutham
- Narasimha Raja Patha Stotram
- Narasimha Sthuthi of Prahlada
- Narayana Jaya [1]
- Narayana Jaya [2]
- Narayana Kavacham
- Narayana Stotram
- Narayana Suktam
- Narayaneeyam
- Nrisimha Ashtakam
- Nrusimha Ashtakam
- Nrusimha Stotram
- Nrusimha Sthuthi
- Nrusimha Stuthi
- Nrusimha Kavacham
- Nyasa Dasaka
- Om Jai Jagdish Hare
- Palayachyutha Stotra
- Pandurangashtakam
- Parameshwara Stuti Sara Stotram
- Parasurama Stotram
- Pasurappadi Ramayanam
- Pathi Stotra
- Prahlada Sthuthi
- Prana Pranya Sthavam
- Pratama Kunja Vihariyashtakam
- Pratha Smarana Rama Stotram
- Pratha Smarana Stotra
- Puthra Prapathi Ashtakam
- Radha Krishna Ashtakam
- Radha Krishna Ji Ki Aarthi
- Raghothama Ashtakam
- Raghupati Raghav Raja Ram
- Rama Ashtakam
- Rama Bhujangam
- Rama Dwadasa Naama Stotram
- Rama Hrudhayam
- Rama Kavacham
- Rama Keerthanam
- Rama Mangalasasanam
- Rama Narayana Sthuthi
- Rama Premashtakam
- Rama Raksha Mantram
- Rama Sthava Raja
- Rama Sthuthi
- Rama Stotram - Ahalya
- Rama Stotram - Indra
- Rama Stotram - Jatayu
- Ramachandra Shatakam
- Ramachandra Stuti
- Ramachandraya Mangalam
- Ramodantam
- Ranganatha Ashtakam
- Ranganatha Stotram
- Samkshepa Ramayana
- Samkshepa SundaraKanda
- Sangushta Nasana Stotra
- Santana Gopala Stotram
- Saptha Rishi Ramayanam
- Saptha Sloki Gita
- Shat Padi
- Sikshashtakam
- Sita Rama Ashtakam
- Sritha Kamala from Ashtapadi
- Sundara Kandam
- Sundara Kanda - Hanuman's Odyssey
- Sundara Kanda Pasuram
- Thiruppalliyezhuchi
- Thiruppavai
- Trilokya Mangala Vishnu Kavacham
- Trilokya Mohana Nrusimha Kavacham
- Vairagya Panchakam
- Vamana Stotram
- Varadaraja Panchakam
- Varaha Kavacham
- Vasudeva Krutha Krishna Stotram
- Vasudeva Sthuthi
- Venkatesa Ashtakam
- Venkatesa Charana Stotra
- Venkatesa Karavalmba
- Venkatesa Mangala Stotra
- Venkatesa Stotra
- Venkatesa Stotram
- Venkatesa Suprabhatam
- Venkateswara Vajrakavacha Stotram
- Vishnu Bhujanga Stotram
- Vishnu Chalisa
- Vishnu Panjara Stotram
- Vishnu Sahasra Namam
- Vishnu Satha Nama Stotram
- Vishnu Shodasa Namam
- Vishnu Sthava Raja
- Vishnu Suktam
- Yagna Varaha Murthi Sthuthi
- Yoga Lakshmi Narasimha Suprabatham
- Ganesha
- Eka Dantha Stotram
- Ganapati Atharva Seersha
- Ganapati Shodasa Stotram
- Ganapati Stavam
- Ganapati Stotram
- Ganesha Ashtakam
- Ganesha Ashtakam [2]
- Ganesha Ashtothra Satham
- Ganesha Bahya Pooja
- Ganesha Dwadasa Stotram
- Ganesha Kavacham
- Ganesha Mahimnah Stotram
- Ganesha Manasa Pooja
- Ganesha Mangalashtakam
- Ganesha Pancha Ratnam
- Ganesha Saranam
- Ganesha Sthavam
- Ganesha Suprabhatham
- Ganesha Veda Pada Sthava
- Ganesh Ji ki Aarthi
- Jai Ganesa Jai Ganesa Deva
- Kalla Vinayagar Pathigam
- Karya Siddhi Maalai
- Mooshika Vahana Storam
- Mayureswara Stotram
- Pratha Smarana Ganesha Stotram
- Runa Vimochana Ganesha Stotram
- Vinayaga Sapthakam
- Vinayagar Agaval
- Vinayaka Kavacham [Tamil]
- Subrahmanya
- Guha Panchakam
- Kandar Alankaram
- Kandar Anubhuti
- Karthikeya Karavalamba Stotram
- Kumarashtakam
- Pragya Karthikeya Stotram
- Shanmukha Shodasam
- Shanmuga Kavasam
- Shanmuga Stotram
- Skanda Sashti Kavacham
- Skanda Shatkam
- Subrahmanya Bhujangam
- Subrahmanya Dandakam
- Subrahmanya Gadyam
- Subrahmanya Karavalamba
- Subrahmanya Kavacham
- Subrahmanya Pancharatna
- Subrahmanya Shodasa Nama
- Swaminatha Shadpathi
- Thiruchendur Chendhiladhipan Thirupalliyezhuchi
- Ayyappa
- Ayyappa Kavacham
- Ayyappa Pancharathnam
- Ayyappa Sahasra Namam
- Ayyappa Suprabatham
- Bhootha Natha Dasakam [1]
- Bhootha Natha Dasakam [2]
- Bhootha Natha Sthuthi Vimsathi
- Dharma Shasthru Aasraya Dasakam
- Dharma Shasthru Aasraya Dwadasam
- Dharma Shasthru Karavalamba Stava
- Harivarasanam
- Mani Kanda Sthuthi
- Maha Sasthru Anugraha Kavacham
- Mani Kanda Sthuthi
- Sastha Bhujangam
- Sastha Dasakam
- Sastha Pancharatnam
- Hanuman
- Aapad Udharana Hanumath Stotra
- Anjana Sutha Stotram
- Anjaneya Stotra
- Balaji Aarthi
- Bhajarang Baan
- Eka Dasa Mukha Hanumath Kavacham
- Eka Mukha Hanumath Kavacham
- Hanuman Chalisa
- Hanuman Chamathkaar Anushtaan
- Hanuman Ji Ki Aarthi
- Hanumath Badavanala Stotram
- Hanumath Bhujanga
- Hanumath Mangalashtaka
- Hanumath Pancha Ratnam
- Hanumath Stotram
- Maaruthi Shathru Vasa Mantram
- Pancha Mukha Anjaneya Kavacham
- Saptha Mukhi Hanumath Kavacham
- Veera Hanuman Kavacham
- Viswarupa NavaRatna Anjaneya Mala
- Yantroddharaka Stotra
- Grahas
- Aditya Ashtakam
- Aditya Dwadasa Nama Stotram
- Aditya Kavacham
- Angaraka Stotram
- Bhaskara Stotram
- Brihaspathi Kavacham
- Brihaspathi Stotram
- Budha Kavacham
- Budha Vimsathi Stotram
- Chandra Kavacham
- Ghora Kashtodhra Storam
- Kethu Kavacham
- Kethu Stotram
- Mangala Kavacham
- Navagraha Hara Stotram
- Navagraha Stotram
- Navagraha Stotram [Vadi]
- Navagraha Suktam
- Pratha Smarana Soorya Stotram
- Raahu Kavacham
- Raahu Stotram
- Runa Mochana Mangala Stotram
- Sanaischara Ashtakam
- Sanaischara Sthava Raja
- Sani Vajra Panjarika Stotra
- Shukra Kavacham
- Shukra Stotram
- Surya Ashtakam
- Surya Mandalashtakam
- Suryarya Stotram
- Trilokya Mangalam Surya Kavacham
- Other
- Ab Soump Diya Is Jivan ka
- Aikya Mathya Sooktham
- Akshara Mana Malai
- Aswatha Vruksha Stotram
- Athma Suprabatham
- Balarama Kavacham
- Bhagawat Charana Stotram
- Bharat Savitri
- Bharatha Kavacham
- Chathu Sloki Bhagawatam
- Chathu Sloki Gita
- Deivame Kathu Kolga
- Dheepa Lakshmi Sthuthi
- Dhenu Stotram
- Durvasana Pratekara Dasakam
- Ganga Sthavam
- Ganga Stuti
- Gangashtakam
- Gangashtakam [Kalidasa]
- Gangashtakam [Sankara]
- Gangashtakam [Valmiki]
- Garbha Raksha Stotram
- Garuda Dandakam
- Gomathaa Ki Aarthi
- Gomatha Stuti
- Guru Ashtakam
- Guru Devashtakam
- Guru Gita
- Guru Paduka Panchakam
- Guru Paduka Stotram
- Guru Raghavendra Stotram
- Guru Stotram
- Ishwara Bhajanam
- Jnana Pana
- Kartha Veeyarjuna Stotra
- Kasi Panchakam
- Lakshmana Kavacham
- Maithreem Bhajatha
- Mangala Ashtakam
- Mangalya Prarthana
- Mayuresa Stotram
- Pancha Devatha Stotram
- Panchayudha Stotram
- Pandava Gita
- Para Puja Stotra
- Sadhana Panchakam
- Sadanana Ashtakam
- Sai Baba Ashtotra Sata Namavali
- Sai Baba Ki Aarthi
- Sai Jai Sadhaa Nanda
- Sai Natha Ashtakam
- Sai Natha Jaya Guru Deva
- Sai Prayer
- Sarpa Baadhaa Nivruthi Sloka
- Shalaa Suktham
- Shatrugna Kavacham
- Sudarshana Ashtakam
- Thirukkural
- Thiru Vilakku Stotram
- Thodakashtakam
- Tulasi Aarati
- Thulasi Ji Ki Aarthi
- Thulasi Kavacham
- Thulasi Stotram [Tamil]
- Vaasthu Manthras
- Vara Mangalashtakam
- Tri Sloki Gita
- Vega Sethu Stotram
- Vrindavana Ashtakam
- Vrunda Devi Ashtaka
- Yaksha Prasna
- Yamuna Ashtakam [1]
- Yamuna Ashtakam [2]
- Devi
- Vedanta Books - Other
- Vedanta Books - Summary
- III
- Articles
- Krithis - Carnatic Music
- Ambujam Krishna
- Ayyan Azhagan
- Azhaga Azhaga Endru Azhaithu
- Chinna China Paadam Vaithu
- Dhyaname Tharume
- Gaana Mazhai
- Guruvayurappane
- Kannaa Vaa
- Kanpadeppo Ten Ayyane
- Maargam Kattiduvai
- Man Madanthai
- Minnal Kodiye
- Nee Poi Azhaithu Vadi
- Ododi Vanden Kanna
- Om Namo Narayana
- Parthasarathi Un
- Punnagai Ondre Podume
- Ranga Sri Ranga
- Thiruvadi Darisanam
- Varuga Varugave
- Annamacharya
- Dayananda Saraswathi
- Dandayudhapani Pillai
- GN Balasubramanyam
- Gopalakrishna Bharathi
- Aadiya Padam
- Aadiya Padame
- Aadiya Padathai
- Aadum Chidambaramo
- Aarukku Ponnambalavan
- Aarukku Than Theriyum
- Ananda Koothadinaar
- Arivudayor
- Ayye Metha Kadinam
- Chathe Vilagi Irum
- Chidambaram
- Deva Jagan Nadha
- Gana Nadha
- Gopura Darisaname
- Innavum Sandeha Padalamo
- Irakkam Varamal
- Jnayam Thano Neer
- Kai Vidal Aagathu
- Kanaka Sabhapathikku
- Kanden Kali Theernthen
- Karanam Kettu Vadi
- Mathadellam Poruppen
- Namakkini Bhayamethu
- Nanda Unakkindha Mathi
- Nandan Charithiram Anandam
- Natanam Aadinar
- Padhame Thunai Iyane
- Piravatha Varam Thaarum
- Pitham Theliya Marunthu
- Sabapathikku Veru Daivam
- Shivakama Sundari
- Shiva Loka Nadanai Kandu
- Thandai Thai Irundal
- Thillai Thalam Yendru Cholla
- Thillai Thillai Yendraal
- Thiruvadi Sharanam
- Unathu Thiruvadi
- Varuvaro Varam Tharuvaro
- Vazhi Maraithirukkuthe
- Yedho Theriyamal
- Yenneramum
- Yeppo Varuvaro
- Kalyani Varadarajan
- Kannada Krithis - Other
- Maha Kavi Bharathiyar
- Aaduvome Pallu Paduvome
- Aasai Mukham Marandu Poche
- Achamillai Achamillai
- Alla Alla Alla
- Amma Kannu Pattu
- Bhooloka Kumari
- Chinnam Chiru Kiliye Kannamma
- Dehi Mukham Dehi Radhe
- Desa Muthu Mari
- Endru Thaniyum Intha
- Engal Kannamma
- Engirundhu Varuguthuvo
- Jaya Bherigai Kottada
- Kaakkai Chiraginile Nanda Lala
- Kaalaa Unnai Naan
- Kaani Nilam Vendum Parashakthi
- Kaatru Veliyidai Kannamma
- Kaayile Pulippathenna Kanna Perumane
- Kannamma En Kaadali
- Manathil Uruthi Vendum
- Muruga Muruga Muruga
- Nallathor Veenai Cheythe
- Ninnai Rathi Yendru
- Pagaivanukku Arulvai
- Parukkulle Nalla Nadu
- Saagaa Varam Arulvaai Rama
- Solla Vallayo Kiliye
- Theeratha Vilayattu Pillai
- Unnaye Mayyal Konden Valli
- Vandhe Matharam Yenbom
- Varuvai Varuvai Varuvai Kanna
- Yaadhumaagi Nindraai Kali
- Yethanai Kodi Inbam Vaithay Iraiv
- Malayalam Krithis - Other
- Muthuswami Deekshithar
- Abhayamba - 1 - Sadashraye
- Abhayamba - 2 - Jagadamba
- Abhayamba - 3 - Aryam Abhayambaam
- Abhayamba - 1 - Girijaya Ajayaa
- Abhayamba - 5 - Ashwaroodaayai
- Abhayamba - 6 - Anyam Na Jane
- Abhayamba - 7 - Ambikaya
- Abhayamba - 8 - Bhakthim Karomi
- Abhayamba - 9 - Dakshayani
- Abhayamba - 10 - Ninnu Chinthicha
- Ardha Naeerswaram Aradhayami
- Govardhana Gireesam
- Hiranmayim Lakshmim
- Kalavathi Kamalasana Yuvathi
- Nava Graha - Angarakam
- Nava Graha - Brahaspathe
- Nava Graha - Budham
- Nava Graha - Chandram
- Nava Graha - Kethum
- Nava Graha - Raahum
- Nava Graha - Sanaischaram
- Nava Graha - Sukra
- Nava Graha - Surya
- Nava Varana - Maha Ganapathi
- Nava Varana - Balasubramanyam
- Nava Varana - Kamalamba
- Nava Varana - Kamalambhaam
- Nava Varana - Kamalambikaya
- Nava Varana - Kamalambikayai
- Nava Varana - Kamalambhaya Param
- Nava Varana - Kamalambikayasthava
- Nava Varana - Kamalambikayam
- Nava Varana - Kamalambike Avava
- Nava Varana - Kamalamba Jayathi
- Sarasija Nabha Sodhari
- Seshachala Nayakam
- Vaathapi Ganapathim Bhaje
- Neelakanta Sivan
- Abhirami Pancharathnam
- Anthari Sundari Kamakshi
- Chidambarame Mukthi Padaham
- Dinamum Ninai Maname
- Gajanana Ganeswarane
- Karunai Cheyvaye Amma
- Karunakari Unathu
- Neela Kanta Nithyananda
- Saranam Saranam Gomathi
- Saravana Bhava Sivananda
- Savithri Puranam
- Shambho Maha Deva
- Sivanai Ninaithu Thuthi
- Theruvathu Yeppo Nenje
- Unnai Thavira Veru IIlai
- Velayudhane Shanmugane
- Yen Indha Thamadham Meenakshi
- Yendraikku Siva Krupai
- Oothukkadu Venkata Subbaier
- Aadathu Asangathu Vaa Kannaa
- Aadum Varai Avar Aadattum
- Alai Payuthe Kanna
- Asaindhadum Mayil Ondru
- Balakrishnan Pada Malar
- Eka Dantham
- Illai Illai Amma
- Kann Allavo Swami
- Kannan Varugindra Neram
- Madu Meykkum Kanne
- Nee Than Mechi Kola Venum
- Paarvai Ondru Podhume
- Pullaai Piravi Thara Venum Kanna
- Pesade Pongaladi
- Swagatham Krishna
- Thaye Yasoda
- Vandathuvum Ponathuvum
- Vigna Rajam Bhaje
- Vishamakkara Kannan
- Yarenna Chonnalum
- Yeppadi Thaan Yennullam
- Papanasam Sivan
- Alavillaye Neelayathakshi
- Appan Avatharitha
- Devi Neeye Thunai
- Durga Lakshmi Saraswathi
- Easane Indha
- Enna Thavam Seiithanayo Yashoda
- Gaja Vadana
- Gauri Manohara
- Janaki Pathe
- Kaa Vaa Vaa Kandhaa Vaa Vaa
- Kaana Kan Kodi Vendum
- Kailsachala Vasa
- Karpaga Manohara
- Karunai Cheyvay
- Kumaran Thaal
- Maa Ramanan
- Maha Lakshmi Jaganmatha
- Malar Inai Thunaye
- Mayil Vahana
- Mooladhara Moorthi
- Naan Oru Vilayattu Bommaiya
- Nee Irangayenil
- Paramukam Yen Ayya
- Parathpara Parameshwara
- Parvathi Nayagane Saranam
- Pirava Varam Vendum
- Samaja Vara Gamana
- Saranam Ayyappa
- Saraswathi Dayai
- Singara Velan Vandan
- Vanthathellaam Varattum
- Vatapi Ganapathiye
- Venkatramana Un Thiruvilayadalai
- Periya Saami Thooran
- Purandara Dasa
- Aadaddella Olite Aayitu
- Alli Nodalu Raama
- Amma Nimma Manegalalli
- Anthakara Dhootharige
- Aparadhi Naanalla
- Bandadella Barali
- Ba Ba Ranga
- Bhagyadha Lakshmi Baramma
- Deva Banda
- Devaki Nandana
- Dharma Sravana Vetake
- Dharmame Jayavemba
- Dhaya Mado Dhaya Mado
- Gaja Vadana Beduve
- Govinda Ninna
- Hari Narayanana
- Hari Smarane Maado
- Innu Daya Baarade
- Jagadhodharana
- Jaya Jaya Jaya Jaanakikaantaa
- Kandenaa Govindanaa
- Karunakara Nee
- Kodu Bega Divya Mathi Saraswathi
- Lambodhara Lakumikara
- Mangala Tulasi Devige
- Mangalam Jaya Mangalam
- Muddu Taaro
- Nami Kettavar Illavo
- Neen Yaako Ninna Hangyaako
- Neene Anaatha Bandhu
- Neene Gathi Enage
- Nimma Bhaagya Doddado
- Odi Barayya
- Rama Nama Paayasake
- Rama Rama Rama Rama
- Sakala Graha Bala
- Sanna Hejegalittu
- Sharanu Siddhi Vinaayaka
- Sundara Murthi Mukhya Prana
- Tarakka Bhindigena
- Venkatachala Nilayam
- Yare Ranganna
- Sadashiva Brahmendra
- Bhajare Gopalam
- Bhajare Raghu Veeram
- Bhajare Yadhu Nadham
- Broohi Mukundethi
- Chetha Sri Ramaam
- Chintha Nasthi
- Gayathi Vana Mali
- Khelathi Brahmande
- Khelathi Mama Hrudaye
- Kreedathi Vanamali
- Krishna Pahi
- Nahi Re Nahi Re Shankha
- Pibare Rama Rasam
- Prathi Vaaram Vaaram
- Sarvam Brahma Mayam
- Smara Vaaram Vaaram
- Sthirathaa Nahi Nahi Re
- Sanskrit Krithis - Other
- Bhaja Bhaja Manasa Raghavendram
- Bhuvana Tryanutham Shastharam
- Bhajamyaham Avyayam
- Gam Ganapathe
- Ganapathe Suguna Nidhe
- Giripriyam Gangadharam
- Gopala Nandana
- Himagiri Thanaye Hemalathe
- Jaalandhara Supeetasthe
- Japatha Japatha Hari Nama
- Janaki Ramana
- Jaya Mahishasura Mardhini
- Kadamba Vana Vasini
- Kala Rathri Swaroopini
- Maithreem Bhajatha
- Pahi Maam Sri Raja Rajeswari
- Parama Pavani
- Niraamaye Niranjane
- Pavana Guru Pavana
- Raghu Vamsa Sudhambhudhi
- Raksha Maam Sharanagatham
- Re Manasa Bhaja Re
- Sangeetha Samrajya Sancharini
- Saranam Vijaya Saraswathi
- Sarasiruhasana Priye
- Sudhamayi
- Thamra Lochani Latangi
- Vandeham Vandeham
- Vara Veena Mrudu Pani
- Vijayambike
- Shyama Shastri
- Swathi Thirunal
- Tamil Krithis - Other
- Aarukkum Adangatha
- Aarumo Aaval
- Aduvum Cholluval
- Anbu Vellame
- Andavan Darisaname
- Bharathi Devi
- Eppadi Padinaaro
- Guruvai Paninthiuduvom
- Inba Kana Ondru Kanden
- Innamum Para Mukham Yeno
- Innum Vandar Illaye
- Ivan Yaro Ariyene
- Jaga Janani
- Kaakka Vendro Kaalai
- Kaal Mari Aadiya
- Kaana Kan Koti Vendum
- Kaarmukhil Vannam
- Kana Venum Laksham Kangal
- Kanda Naal Muthal
- Kandan Karunai Puriyum Vadi Vel
- Karpagavalli Nin Por Paadangal
- Karuna Nidhiye Ganapathiye
- Koovi Azhaithal
- Kurai Ondrum Illai
- Mayil Vahana Mana Mohana
- Paramananda Varada
- Paripuraniye Manonmaniye
- Sadananda Thandavam
- Shanthi Nilava Vendum
- Sri Chakra Raja Simhasaneswari
- Thamarai Pootha Thadagamadi
- Unnai Allal
- Vadavarayai Mathakki
- Vara Lakshmi Vrutha Song
- Varanana Mukhava Varuvai
- Velan Varuvanadi
- Velavane Unai Thedi
- Venu Gopala
- Yaro Ivar Yaro
- Yedayya Gathi Enakku
- Yen Palli Kondeer Ayya
- Telugu Krithis - Other
- Thyagaraja
- Adhi Kathu Bhajana Manasa
- Amma Ravamma Thulasamma
- Anuragamu Leni
- Anyayamu Seyakkura Rama Nannu
- Bhakthuni Charithramu Vinave
- Chakkani Raja Margamu
- Chede Budhi Maanuraa
- Darini Thelusu Kondi Tripurasunda
- Dasani Thodi Deve Oh Manasa
- Daya Leni Prathu Kemi
- Devathi Deva Sadashiva
- Dudukugala Nanne Dora Koduku
- Edula Kappaduthuvo Sri Ramachandr
- Elavathara Methu Kodilo
- Emana Thichethavo Ye Menchinavo
- Endhuko Nee Manasu
- Ennaka Manasuku Rani
- Entharo Mahanu Bhavulu
- Evarunnaru
- Geetharthamu Sangeethanandamu
- Graha Balamemi Rama Anugraha
- Ishaa Pahi Maam Jagadeesa
- Ithara Deivamula Ilanu Soukhyama
- Jagadananda Karaka
- Kada Thera Ratha Manasa
- Kali Naruluku Thelipemi
- Kamala Bhavudu Vedale
- Kana Kana Ruchira
- Kanna Thalli Neevu
- Karu Vel Puli Neeku
- Kathanuvariki Kathu Kathini Moral
- Koti Nadhulu Dhanushkoti Lundakka
- Kovur Pancha Ratna Keertana - 1
- Kovur Pancha Ratna Keertana - 2
- Kovur Pancha Ratna Keertana - 3
- Kovur Pancha Ratna Keertana - 4
- Kovur Pancha Ratna Keertana - 5
- Ksheera Sagara Sayana Nannu
- Lekkana Ninnu Juttu
- Mana Vyala Kimpa Radhade
- Manasa Eduloruthunu Na
- Manasaa Mana Samarthya Memi
- Manasa Sancharare Rama
- Mari Mari Ninne Moralida Nee
- Maryadha Kadhaya Manu
- Mithri Bhagyame Bhagyamu
- Mokshamu Galadha
- Muripemu Kalike Katha Rama
- Naa Moralikimba Vemi Sri Rama
- Narada Guru Swami Kanaika Nan
- Natasi Natasi Jooche
- Ne Nendhu Vedakuthuraa Hari
- Nee Bhajana Gana Rasikula
- Nee Daasanu Dasudanani
- Nidhi Chala Sukhama
- Oka Mata Oka Banamu
- Paluku Kanda Chakkarenu
- Paraku Chesina Nee Kemi
- Parihasaka Maa Maata
- Raga Rasamrutha Panamu Chesi
- Ragha Rathna Malika Che
- Ragha Rathna Malika Che
- Ramabhi Rama Manasu Ranjilla
- Saamaja Vara Gamana
- Sadhinchane Oh Manasa
- Samayamu Thelisi Punya
- Sangeetha Gnanamu Bhakthi
- Sitapathe Na Manas Una
- Seethavara Sangeetha Gnanamu
- Shobillu Saptha Swara
- Sri Kantha Neyeda Baladhi Bala
- Sripathe Nee Paada Chinthaname
- Sugnamule Cheppu Kondi
- Sundari Nannitharilo Joochi
- Sundari Nee Divya Roopamanu
- Sundari Niinu Varnimpa
- Thana Meedhane Cheppu Kovale
- Thasala Melara Saketha Rama
- Therathiyakka Ratha Naloni
- Undethi Ramuduookadu
- Valla Kathanaka Sita Vallabha
- Varadaraja Pahi Maam
- Vidhulaku Mrokketha Sangeetha
- Ye Dhavanura Nila Kada Neeku
- Ye Paniko Jaminchithi Nani
- Ye Vara Maduguthura Rama
- Yeda Vunnara
- Yemi Chesina Nemi
- Yenthundi Vedalathivo
- Wedding Songs
- Aadinar Oonjal Sarvesar
- Aadeer Oonjal
- Aadi Poorathu Uditha
- Anandam Anandam Anandame
- Ananda Mananda Maayena Mana
- Aananda Thiru Nadanam
- Bhojanam Cheyya Varungo
- Chandra Mathiyo Ival
- Chaya Kuruchigalam Menakshikku
- Dandha Mukhanukku
- Dina Mani Vamsoddhara
- Gowri Kalyana Vaibhogame
- Kandha Malar Mel Urayum
- Kanmani Rugmani
- Kannunjal Aadinaal Kanchana Malai
- Kannunjal Aadugindral
- Karumbhana Mozhi Thanile
- Koti Manmatha Roopanukku
- Ksheerabdhi Sayanane
- Laali Sri Raghu Vamsa
- Madhura Puri Easwariyal
- Malai Chathinaal Kodhai
- Malayadwaja Suthani
- Mangalam Cher Puduvayin
- Mani Malai Malar Malai
- Manmathanukku Malai Ittaye
- Nalangida Varum Raja
- Nalanguidugiral Meeana Lochani
- Neeradina Sri Rama
- Palale Kal Alambi
- Raghu Kula Chandranukku
- Rama Jaya Jaya
- Rathna Mani Mandapathil
- Rathna Oonjalil
- Sandegam Kolladhe
- Seetha Kalyaname Vaibbhogame
- Soma Surya Nayana
- Vaarai Rukmani Yen Mugathai Parai
- Vadana Dyuthi Jitha Soma
- Varum Varum Nalangida
- Yen Prana Rajare
- Yengal Sambandi
- Ambujam Krishna
- Lessons on Vedanta
- Bhagavad Gita
- Panchadashi
- Module - A
- Module - B
- Module - C
- Module - D
- Module - E
- Module - F
- Unit - F01
- Unit - F02
- Unit - F03
- Unit - F04
- Lesson - F0421
- Lesson - F0422
- Lesson - F0423
- Lesson - F0424
- Lesson - F0425
- Lesson - F0426
- Lesson - F0427
- Lesson - F0428
- Lesson - F0429
- Lesson - F0430
- Lesson - F0431
- Lesson - F0432
- Lesson - F0433
- Lesson - F0434
- Lesson - F0435
- Lesson - F0436
- Lesson - F0437
- Lesson - F0438
- Lesson - F0439
- Lesson - F0440
- Lesson - F0441
- Lesson - F0442
- Lesson - F0443
- Unit - F05
- Unit - F06
- Module - G
- Module - H
- Module - I
- Module - J
- Module - K
- Module - L
- Module - M
- Module - N
- Module - O
- Path to Joyful Living
- Mantras and Rituals
- Stories and Anecdotes
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